Sunday, May 24, 2009

Philippines' Brillante Mendoza Wins in Cannes 2009.

After getting violent reactions from his last year's film in Cannes, Serbis, Brillante Mendoza bested the likes of Quentin Tarantino and Pedro Almodovar in this year's competition at the most prestigious film festival in the world. 3 other Filipino films were invited and screened in Cannes - proof that the Independent Cinema in the Philippines is one of the most vibrant if not the hottest in Asia and a force to be reckoned with in the world.



Mendoza wins best director award at Cannes



Agence France-Presse
First Posted 03:24:00 05/25/2009

   

CANNES -- Brillante Mendoza of the Philippines on Sunday picked up the best director prize at the Cannes film festival for his dark movie "Kinatay".

"Kinatay" (meaning "massacre") notably features corrupt cops hacking a prostitute to pieces with blunt kitchen knives.

Mendoza, at Cannes for the second year running, again split the critics, drawing both hisses and applause for "Kinatay".

Last year's "Serbis" was set in a Manila porn-theatre with long close-ups of festering boils and overflowing toilets, as well as the poverty and distress on the streets.

Still determined to portray the social reality around him, Mendoza in "Kinatay" traces 24 hours in the day of a trainee policeman, happily beginning with his wedding in the morning to close with the young man's first outing at night with a band of corrupt colleagues.

To his surprise, fear and anguish, they pick up a prostitute accused of betrayal and wind up torturing, raping, killing and hacking her before disposing of the body parts across Manila.

"This is not just entertainment, these kinds of stories are real," Mendoza said at Cannes.

Last year was the first time since 1984 the Philippines had a film competing for the top prize at Cannes, the Palme d'Or.

http://showbizandstyle.inquirer.net/breakingnews/breakingnews/view/20090525-206946/Mendoza-wins-best-director-award-at-Cannes



The Cannes 2009 Winners

CANNES, France -- Awards presented Sunday at the 62nd Cannes Film Festival, chosen by a jury headed by French Actress Isabelle Huppert:

• Palme d'Or (Golden Palm): "The White Ribbon," by Michael Haneke (Austria)

• Grand Prize: "A Prophet," by Jacques Audiard (France)

• Jury Prize: "Fish Tank," by Andrea Arnold (Britain) and "Thirst," By Park Chan-wook (South Korea)

• Special Prize: Alain Resnais

• Best Director: Brillante Mendoza, "Kinatay" (Philippines)

• Best Actor: Christoph Waltz, "Inglourious Basterds" (United States)

• Best Actress: Charlotte Gainsbourg, "Antichrist" (Denmark)

• Best Screenplay: Feng Mei, "Spring Fever" (China)

• Camera d'Or (first-time director): "Samson and Delilah," by Warwick Thornton (Australia)

• Best short film: "Arena," by Joao Salaviza (Portugal)

http://showbizandstyle.inquirer.net/breakingnews/breakingnews/view/20090525-206956/Cannes-Film-Festival-prize-winners


4 comments:

  1. Mendoza's films really is a bit controversial and some of his scenes might not be acceptable to most viewers. In his other film - which was also invited to Cannes last year - Serbis - had graphic images of festering boils. One of the really hot Filipino directors of the Philippine Cinema. The graphic images and the sordid and much heightened realism of his films pushes the envelope in the local filmmaking industry that saw the likes of Bernal and Brocka. I've seen his other film, Masahista (The Masseur) but was not really pleased with the treatment and the overall acting and direction. Masahista felt disjointed and removed. In the end, Mendoza's films are an acquired taste - and it seemed the French Jury President Isabelle Huppert finds the gritty portrayal of Manila's underbelly fascinating.

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