
I am reposting a poem I wrote July last year for my friends who requested so... I initially composed each stanza of this poem on my mobile and was to send it to my object of affection, but instead of sending it to the person, I sent this instead to a friend who asked me to compile everything, and I did. I wrote this down in a piece of paper, and sent the poem along with a bouquet of a dozen peach pink roses that you see here to the one I loved.
"Untitled or Otherwise Known as a Secret Suffering of a Person in Love"
I
I love him just because I love him
and when I love, I love without exceptions.
When I love, I love intensely not tentatively,
I'll love even if I know it will hurt me.
It's like a fire that consumes me,
it burns me, it blinds me, it may even kill me.
II
For he became the air that I breathe,
the blood in my veins, the passion in my poetry.
I feed from the sound of his laughter,
the sparkle in his eyes when he sees me,
the corner of his smile, the movement of his shadows,
the peace of his sleep, the sweetness of his kiss
and the warmth of his body next to mine.
He is a million reasons to live.
II.V (Postcript to I & II)
You came like a misdirected arrow that pierced my quietitude, cursing me to love in an unequal measure, and now that I am dazed and confused, you left me dying in my stained solitude...
III
As fast as the mercury rising, my love ran wild in the night.
Tame me, and make me yours, envelop me in the glow
of your being, I need the shower of your affection,
for I chose not to be anywhere but to be beside you,
beside you I live, to hold your hand and never let go.
Tonight, I decide to dream of you, for in my dreams,
I have you forever.
IV
In the break of dawn I silently gaze, upon the hillocks
and valleys of your body, the soft morning light falling on your
olive-colored skin, counting every heaves of your sighs,
the crests and troughs of your chest as your heart beat steadily,
memorizing every detail of your face, not knowing how long
will I bask in its sweet contemplation, for in this very hour,
I was happy in the midst of my desperation.
V (unfinished)
With your touch, I tremble, tremors course through my body,
with your touch, you leave me breatheless
and with the sweet suffocation, your touch defined my existence.
(and maybe it was my eloquent isolation and the deep
pathos whispers the breathe of my acquiesence to my calm
desolation.)
V.v (Prelude to VI)
Make love to me in pain, whip, bind, subdue me
and drive me to submission, bruise me, I want you
to leave my body in black and blue.
suffocate me, strangle me, chain me, and leave me
beaten senseless, dying on the crumpled sheets
of my dreams, for no pain can match the suffering,
my suffering of loving you.
VI
I drown in the river of my saline grief,
the night I've lost you to the tumbling, fickle winds
and the steady, falling, melancholic rain, the same winds that
carried me to you and then you away from me.
I drown myself in the river of my saline grief,
in the night of the saddest stars.
the other David
July 2-4, 2005
Most interesting piece of poetry Ryan. There IS a poet in you after all. Very well written indeed, I can feel the pathos!
ReplyDeleteSince, I'm no literary ingenue, and I'm only a visual artist, this is what I made when I felt pain like this
ReplyDeleteDoc- Thanks. :)
ReplyDeleteEloise - hayy... beauty the in pain, and the pain in beauty...
ahhh yes.
ReplyDeletedouleur = plaisir
Oh well...
ReplyDeleteyeah
ReplyDeletewhew! so poetic. hehehe.. thats hot riain.. you're a good poet.hehehe. love can really make you do crazy things. love is irresitbly hurting yet fulfilling! ;-) winks!
ReplyDeletehahah... thanks bud! Cheers to Love and Valiums!
ReplyDeleteRethinking the Modern Dandy: Yves Klein by Yves Klein
ReplyDeleteBy:
Ms. Linda R. James
To add a paper, Login.
The dandy is an archetype of modern male identity. He is modern because his greatest achievement is selfhood; he is male in a sense that harkens back to the ancient realm of the Hellenes; and he is archetype because the dandy has proven to be resilient, paradoxical, fascinating and repellent. Dominant thought on the history of the dandy has him present in the twentieth century but eclipsed by the female performer. Recent scholarship discusses him as international, a man of the Ages, and as shaman. But nowhere in the discourse is the male performance artist of avant-garde art who, however temporarily, embraced the principles of modern dandyism: as hero, as artist, and as creator and master of self. In particular, one figure is definitive of this neglected aspect of modern art: the French avant-garde artist, Yves Klein. Beyond his innovative methods of painting and his controversial performance art, Klein was also a dandy. He cultivated an identity characterized by anachronistic modes of dress, and he rendered the camera his modern-day mirror. Klein's dandyism goes beyond the sartorial and narcissistic: he created himself as a "modern" dandy - the self made man who - from the example of Beau Brummell to the essays of Barbey D'Aurevilly and Camus - was a revolutionary and rebel. As such, Yves Klein imploded his life with his art. Klein's example challenges the established scholarship on the dandy and this aspect of his work presages postmodern trends in visual art. My topic investigates the importance of dandyism in the art and life of Yves Klein, its importance in modern performance art, and as a prototype for modern male identity.
Keywords: Gender, Sexuality, Dandyism, Photography, Mass Media
Stream: Sexuality, Gender, Families
Presentation Type: 30 minute Paper Presentation in English
Paper: A paper has not yet been submitted.
Ms. Linda R. James
Ph.D. Candidate/Senior Lecturer, Art History/Fine Arts, University of Wisconsin-Madison/University of Wisconsin-Platteville
USA
Ref: H05P0269
wehw! cheers! nice'nice! =))
ReplyDeleteawww. :) thanks! :)
ReplyDelete